Saturday, August 25, 2012

What's been happening?

Me and my girl doing how we do...
I know I've been majorly lagging in the updates department lately.  Where are all the gig reviews?? I thought you loved hip hop Jen?!  Well the thing is this month has been absolutely crazy for me.  Not only in relation to six months ago when I was just a small town Townsville girl, but compare this schedule to anyone you know and you'll see that hip hop has become my full time job.  Not only that but all this is juggled in between working at my actual full time job.  I originally meant to update this blog every Wednesday and I would like to go back to that, but lately it's like Friday, Saturday, sometimes Sunday is a gig, Sunday is a totally written off hungover day, Monday I'm too tired to think, Tuesday I need to catch up on some much needed sleep, Wednesday and Thursday I have some time to write, if I don't have other things going on, and then before I know it it's Friday and time to do it all over again.

So here's a quick overview of the gigs that I attended in the last month, some definitely deserve longer entries and I am working on it, patience people. Please stay with me.


27th July - Daily Meds & Rainman @ Fbi Social
My first gig in King's Cross and it certainly could have been sleazier, it was definitely lacking on the sleeze factor.  But it was made up for by actually being a classy venue with a good hip hop vibe to it.  My girl and I had a few too many drinks at home and we were delayed from showing up on time due to a shaken Coke bottle incident in the kitchen.  We went for the Daily Meds but stayed to see the incredible Rainman.  From what we got to see the Daily Meds were hard hitting as usual, everyone in the place was up and dancing when we burst through the door.  I'm so glad we got introduced to Rainman this night, he blew me away.  He has been described as "Queensland's best kept secret" if so he won't be a secret for long.  His song "The Valley" just won in the Urban category in Queensland's music awards.  I just got his album two days before this show and I was already hooked by the time I saw his performance.  His lyrics are direct and honest.  His voice is soulful.  He sounds destinctly Australian without the bogan factor.  He has fun easy songs mixed with deep and thought provoking songs.  He's got that something extra.  He's basically everything I look for in Australian hip hop at the moment, I can't believe I have only just heard of him.  He has quickly become a new favourite of mine for sure. My especially favourite song of his is called "Darling" and it's a tribute to his relationship with hip hop. Check out my video below, really quality footage.  

28th July -Kade & The Karneez @ The Annandale Hotel
Kade was gearing up for his official album release by throwing a big party at the Annandale with free beer.  Even  after an epic hangover there was no way I was missing this one.  It turned out to be a bit quiet though, for a night which included the promise of free beer.  Kade wasn't a disappointment, just the crowd.  A normal part of the act is when an emcee from the crowd will jump onstage for a freestyle battle with him, but no one was feeling it that night.  Good thing Kade has plenty more gigs to come, including a headline show at FBi social on the 4th October and the Sando in Newton on the 11th of October.


3rd August True Vibenation & Jackie Onassis & Skryptcha @ The Standard
There was a lot of competition on for gigs this night.  It was a big night for Australian hip hop for sure.  That I settled for Skryptcha was a last minute decision, although I wasn't disappointed.  What I missed out on was Def Wish Cast at the Annandale (absolute dopeness when I saw them with Funkoars earlier this year) and Mantra with Mphazes at the casino.  It's funny cause I normally would have chosen one of the others, but it turns out that I met a couple of new friends here so it was meant to be.  
me & Rochelle, new gig buddies
Honestly, the group I most remember was True Vibenation.  They had a funky, reggae hip hop vibe that I was really feeling.  From what I remember Jackie Onassis was good too.  The whole night was a bit of blur though.  I had a conversation with Kai where I told him that my blog was really in depth and I don't do one or two sentence reviews.  And here I am doing just that, damn hypocrites.  Luckily I get to see them perform again when they open for Illy so can give them a bit more time and attention for that one. Skryptcha honestly let me down a little bit.  The only thing that really stands out in my memory was that he sounded a bit too much like 360 for my liking. But again he is opening for Illy as well so I'm willing to give him a closer listen.  The stand out song of the night was when he got the Spit Sydnicate boys on stage.  Nick was rocking the gold chain bling, and Jimmy seemed a bit sketchy, hanging out around the shadows on the side of the stage except for his verse.  Strange things from those two.. 
It was a good night over all, good atmosphere in the room, a lot of familiar faces, a lot of love for hip hop.  But the music that night seemed to take a backseat for me, to the company I was with. 

4th August -Briggs & Horrorshow & Hilltop Hoods @ The Hordern Pavillion
I will be writing an extended article about both of the Hilltop shows that I went to this tour. Just briefly, Horrorshow really ruled the night for me, they burst onto stage like they owned it, feeling very comfortable with their hometown after just returning from a brief stint in Europe.  These boys have much improved in the last year that I have been following them. I can't wait to share this new video with you.  Their new song "Dead Star Shine" is hauntingly beautiful and right in tune with their style. You can tell people where getting into it, just on this first listen. Check it out for real... 



10th August -Thundamentals & Mantra & Dialectrix @ Canberra University-
Mantra, rapper and comedian
I think never has a more talented group been brought together.  Thundamentals are top of the list for me in Oz hip hop right now (Bliss n Eso excluded). Mantra is certainly a good story teller and a tight rhymer.  And Dialectrix I haven't heard much from but what I have is top quality, especially the song "Inner Heart Beat" off the album Audio Projectile.  He has quick rapping and good lyrics. This gig was more like a private sesh with friends than an actual concert.  We thought at first it really would be a private concert as there was only about 12 people there when we got there.  More people trickled in during the night, but no where near the crowds that these groups are used to playing to, which was good for us.  But despite it's small size, Canberra has a decent sized group of hip hop fanatics, it's a shame that this city gets missed out on on most tours.  Actually, wait when did I start praising Canberra? This is not like me at all.
So what do I remember most about this concert? That maybe I get to drunk to remember most concerts. But if you haven't done it yet get in to see a live Thundamentals show cause these guys know how to bring a room to life with just a DJ and two mics, no gimmicks.  But they usually bring a live horn section with them, so it's definitely worth a trip out. I think their facial expressions bring a lot of emotion into the songs as well and they are very energetic, not just bobbing around, but dancing and doing hand gestures that coincide with the rhymes.  They draw you in right away and you can't help but feel a connection with them when they're on the stage. 

11th August  -Hip Hop Odyseys @ Spaceport One, Marrickville-
Broken Thought Theory
I'm just letting you know right now, this is your new favourite venue.  Hands down, no argument.  Whether it's hip hop, rock, punk, or an all out rave this is the place to do it.  Amazing warehouse used as a creative space for a variety of art forms.  I attended the first ever hip hop night here, and despite not having a huge turn out, I think it was a raging success.  Everyone there was very respectful and relaxed.  The artists all felt very comfortable, like they were just performing for friends.  Great performers.  Saw what I reckon is the best beatboxing I've ever seen that night by, Ettoman.  (Check out his youtube page, this guy does insane things with his mouth and lips.) This is going to be a monthly event so I'd love to see a few more people head on down next time.  Awesome people, awesome place.  Beyond amazing music and atmosphere. 

16th August -Briggs & Horrorshow & Hilltop Hoods (again) @ Canberra Uni
I thought this would end up being a very different show to the last one, considering the much smaller venue.  But hip hop acts these days don't seem to change their set list much (if at all) night to night which is a disappointment as I think it would be fun to play around with song arrangement and make a unique show every night.  But that's a rant for another day.  The main difference here was that we got a lot closer to the stage for Horrorshow, but then got out and to the back again for Hilltop.  We must have got stuck in  the middle of some parent chaperon group during Hilltop's set because all the people around us were older and they didn't seem to know any of the songs.  What a disappointment.  My main problem with Hilltops though is that for the level that they are at, and the money that they have coming in, I think they could do a lot more with their show.  I have a lot of respect for what they have done for Australian hip hop, but I don't think they are utilizing their fame to the extent that they could be, to get a real message out there.  I can't help but compare them to Bliss n Eso who have risen to about their level of popularity and influence, and they have brought so much more to the table, lyrically and for entertainment value at their shows.  It's like Hilltop waved their arms around and got everyone's attention, but then as soon as we thought they were going to say something profound, they just made a fart joke instead. (I'm probably going to get crap for this.) 


17th August -Rapaport "Patterns" mix tape launch @ Good God Smallclub, Sydney
Killer beats, mad rapping, dope freestyle, and too many patterns.....  grimy as fuck.
Raport is comfortable on stage, always on point, has a sick flow with a unique voice and is the head of an amazingly talented crew- he couldn't be happier. Look out for Big Village cause they are doing BiG Things.  If you haven't already (and I don't see why you wouldn't have) check out the album Big Things Vol. 2 which is a collaborative effort by the whole label. A whole lot of talented people banding together to do what they love and get it to us by the simplest means possible. Tour coming soon, can't wait to see the whole crew on stage.



19th August -Broken Thought Theory (and friends) @ Brighton Up Bar - I went to a charity event at Brighton Up Bar on a Sunday.  I basically went to see Broken Thought Theory but had the treat of seeing Madam Wu and Elise Graham perform before them and I was inspired.  It's pretty rare to see all girl hip hop acts.  Broken Thought Theory put on an excellent show as usual.  This was only my second time seeing them perform but there is something very comfortable about their performance for me.  When I hear the songs, I feel like I already know them, even when I haven't heard them before.  And not because they sound like everyone else, but more like a sense of déjà vu, remembering something that hasn't happened yet.  Which is probably how you'll feel when you hear these emcees: State Advanced, Ear-Relevant, and Skase Ak.  They are three of the dopest emcees you haven't heard of yet.  And they are so happy and look like they are having so much fun on the stage together, it makes me literally want to join them.



Now I'd like to take you back in time a bit further to....

7th July -Last Kinection & Daily Meds @ The Annandale Hotel
Kathy and I: rockin' the spot..
I have to go back and mention the Daily Meds and Last Kinection gig on the 7th of July- This one sticks out in my mind above all the others lately.  And not just because someone was giving away free money, although the irony was not lost on band members and crowd members alike when Mikoen sang the lyrics, "hey you in the suit and tie acting like you're the man/ we're not impressed by your money sonny/ none of us care/ so put your wallet back in your pocket..." from the song "Hey You" just as a random that had jumped on stage pulled out his wallet and showered the front row with a cloud of fifties, twenties, and ten dollar notes.  Mik stumbled his lyrics and crowd members started at red, yellow, and blue pieces of paper for a moment not sure if they were real.  The timing, if planned was dead strange.  If unplanned, turns out it was just as strange.   A lot of people simply missed it as they were so caught up in the music, which is right where you want to be anyway.  And that alone says a lot about how great the Daily Meds performance is, if it can distract people from cash being waved around in front of them. 

This was the first time I got the pleasure of experiencing either of these groups lives. They are respectful enough of each other to call the show a "double headliner."  They both brought mass amounts of energy to the stage and the crowd was right there animated and pumped up to the max.  This gig was everything a hip hop show should be.  There was a lot of love in the crowd, both for the music, and for the other fans.  Everyone just knew, if you were here, you know what's up, and you definitely know what good music is.  Last Kinection are unique and soulful.  Their lyrics are powerfully political and something that every one of us needs to listen up to.  We need more indiginous Australians a part of this culture. They are a piece to the puzzle that we could all learn from.  Daily Meds just burst onto the stage with insane amounts of energy, commanding your attention .  Their quality beats make it almost impossible not to dance, and their lyrics are ones that command your attention, no soft pop songs here. 




And this weekend is Illy with support from Jackie Onassis, Skryptcha, and my good buddy Elemont.  Check him out below, kid's got killer flow.



Links
Spaceport One - facebook page 
Thundamentals - get tickets to their upcoming "Get Busy" tour and other news
Broken Thought Theory FREE EP download - check out the merch too, good stuff
State Advanced- check this out, top hip hop artist on Triple J Unearthed, you will get hooked.

Broken Thought Theory- Hand to Hand Motion


Tweet me @rainmaintics / @dailymeds / @jackieonassis / @skryptcha / @briggs / @horrorshowcrew / @hilltophoods / @thundamentals / @mantra / @dialectrix / @illyal / @lastkinection / @elemontofficial



Always on the grind.
Love, Jen

Friday, August 10, 2012

The Ruckman Record

Review: 
The Ruckman Record
Re-released in JB Hi-Fi, Sanity, and on iTunes TODAY
10th August 2012




“So who's your favourite rapper's favourite rapper?”
It's a question that immediately commands our attention because we assume that those that we admire and look up to would have the knowledge and insight needed to play the tour guide and successfully lead us through this jungle that we call the rap game, making sure that we saw more than just the tourist sights. Our favourite rapper, we assume, would have such a vast knowledge of the music scene that as a tour guide he would be able bring us deep into the culture, showing us the intricacies of the local and international scene. It goes without saying that a lot of thought would have to go into the answering of such an important question. 

Well I'm not a famous rapper, but I reckon if I was I would have to have a clever answer ready for when someone put this question to me. Maybe even an unsuspected and surprising answer. It would have to be someone smooth, cunning, intelligent, underrated, underground, with wicked flows and smooth as silk voice. It would have to be someone who is just as comfortable spitting a clever diss at an opponent in a rap battle as they are busting rhymes over a chilled out beats in a song about loving life. And that rapper for me would have to be Kade MC. But hold up, wait a minute, ok let's just make this clear: I'm not actually saying Kade is my favourite rapper, I'm just saying that if I was a famous rapping heavyweight, I would be quick to mention Kade as one of my favourites in order to show that I was still hip to the Sydney underground rap scene. And that being said Kade MC is definitely a name that you should know, and if you don't know, it's time to get familiar.

Meet Kade & the Karneez
Kade has been secretly toiling away in the background, busy working at perfecting his craft over the last ten years, and still he is a youngster in the scene. How many people do you know that can say that they have been on the grind for more than a decade at 21 years of age? Having first stepped on stage at the almost unheard of age of 10, Kade has successful jumped through many of the hoops and hurdles that will hopefully lead him down the road to a successful music career. He has become known as a deadly emcee to battle, with his witty asides and quick flips leading him to victory over several prominent emcees, most notably The Tongue of Elefant Traks. (See below for several battle video links.) But although he is very talented at battling, Kade will never find it as fulfilling as making music and performing it to a live audience. Although most emcees perform with a live DJ, Kade prefers to travel with a live band, the Karneez.  The addition of a  live band provides a refreshingly different take on hip hop music. 

me bopping to Kade & the Karneez at the Annandale
The past few years, Kade has been strongly focused on delivering the best debut album that he possibly could. He has been polishing to a perfect shine, what could only be recognised as a gem, The Ruckman Record. The album has been available now since late 2011, but it's re-release into a more commercially successful platform this year was all but prophesied by Kade in the song Underrated where he says “I hear the world ends in 2012, which is when I plan to have my album on shelves...” It was a goal that he had often vocalised that he had to hoped to have an album out by the age of 21. And I think that goal, although not yet realised at the time that the album was in production, is a main theme of the album.

The album takes us on a deeply personal journey of discovery. It feels like a balance sheet weighing out the reasons to stay positive in life against the reasons to succumb to the darkness and doubt that overtakes everyone's mind at some point in life. It's a refreshingly open and honest look into this young man's psyche. As Kade explains himself in Lonely Lyricist, “bi-polar has me racing up and down like a staircase.” And even though, just as explained, the music bounces from a dark personal internal struggle type of track like that to the happy, positive, and carefree track, Pull it Together, the transition seems natural and organic. Through all the darkness which is enclosed in the human psyche that this album dredges up, I feel like the positive messages far outweigh any negative.

Kade has some profound messages in the album, but I think the clearest, and most obvious message is this: “You can achieve anything you set your sights to,” in the song Make It Happen: not only only spoken knowledge, but inarguably proven.

Notable tracks : Undderrated, Idiom Ideology, Headphones






Pick up the Ruckman Record today on iTunes, here, here, or at a live show (possibly for free if you're lucky.)


enough of me, listen to Kade himself talk about the album...


Catch a live show
Friday     17th August- Fitzroy Hotel, Windsor-  Supporting Limit Infinity with Deadbeat and Hazy
Saturday 18th August- Brighton Up Bar, Darlinghurst- Supporting L-Fresh the Lion with DJ Ology
Sunday   16th September- Valve Bar, Tempe- 1 outs Battle Event
Sunday   30th Septmeber- Lansdowne Hotel, Broadway - Headliner
Tuesday   4th October- Fbi Social, Kings Cross- Headline

Links
Triple J Unearthed - listen to download and rate some of Kade's songs
Oz Hip Hop Forum- The Ruckman Record- talk some crap about Kade's album
Kade MC Facebook page- up to date info by the artist himself


Music Videos
Kade & The Karneez performing "Huntsman & the Player" live at the Annandale Hotel, new music off the NEXT album, coming soon.


young and carefree...

the struggle...

serious determination.....



Battle shit

This is straight up lyrical murder.  Kade kills it in the first Sydney 1Outs Event.


straight talent on the streets of Newtown


Kade's legendary defeat of The Tongue


Even when he loses, he really wins.





Go cop this ish! I have literally already bought 5 copies so you can at least buy one!
Music isn't free. Support the artists who dedicate their lives to this.


KnoHow music is the crew.
Peace out homies, love life.
<3 <3 Jen  <3 <3 

Wednesday, July 18, 2012

On A Friday


Review
Sky'High
Beach Road Hotel, Bondi Beach, Sydney
13 July 2012


Maybe because it was Friday the 13th and the third one for 2012, everyone decided to lay low and not risk some witchy, devilish shit happening at a gig. That must be why the only hip hop gig I could find on that night was Sky'High's second Sydney album launch. Every Friday that falls on the 13th I claim as my own, especially in July. The day I was born, unlucky for some, was on a Friday, the 13th day of the month of July. Now I've definitely tried to lie to some about the year, but if you really want to know just go read the book by George Orwell.

Permanent marker maybe?
I commemorated the day by getting it inked on my arm permanently, so now I'm a real life lucky charm. And if you know me, then you know that if I'm in your life you really are lucky.  That's because I live life the way I want it to be.  I seek out all the good things and I attract them to me.  So people could say that I'm living the dream. If you know how to dream than you know what I mean.

So I thought I'd give this Sky'High gig a try, after very mixed thoughts on her from several people that I have asked. Elefant Traks of course is right behind her, and when asked Adit spoke very enthusiastically about her, but most of my friends haven't been too impressed with lyrics, beats, or her attitude so far. I first heard of her on Triple J early this year which was my first taste of the “Hoodie and Nikes” song, which I really like.  Embarrassingly enough at first I thought she was a young boy by the way she sounded.  At first that really intrigued me because I thought "hold on, who is this 10 year old on triple J?"  But even better was finding out that it was a chick, because there aren't a lot of female rappers on the scene holding it down on their own. She did an interview with Hai on the Hip Hop show before she went on tour with 360, and talked about her new album coming up later in the year. I thought she seemed really sweet and shy, and that definitely got me interested, I wanted to know more.

a couple of cool kids I know
I saw her perform earlier this year opening for The Herd. Basically all of Elefant Traks was there to show their support.  There's a bit of controversy about why Elefant Traks would sign an artist so different to their normal aesthetic.  The answer is complex and maybe the benefits won't come to fruition straight away but rather incubated like an egg.  It's like they took this little newborn chick under their generous and protective wing and introduced her as part of the scene. But she's no baby chick, innocent and wide eyed. She's like a crazy owl: shifty eyed and alive at night time. Scoping out the scene and then swooping down to swiftly snatch her prey.    

Although it might seem like there's some arrogance rooted in her name, it's really just a clever play on her actual name, Skhai. You might be put off by the fact that she rocks sunnies inside at night, wears a frown, screams into the mike, and yells at the crowd. But at least she's herself, she's not afraid to be a little angry. And we shouldn't put her down because it's that type of raging that hip hop was founded on in the first place. And in stark contrast to all that aggressive and negative energy, if you're lucky enough for her to drop her sunnies and smile at you, you'll be all but stunned by the innocence displayed in her face. Which goes to show that, maybe it's not quite all an act, but but a carefully constructed tough outer mask that she has worked most of her life to maintain.

I spot a reoccurring theme
This genre of music, always came out of a desperate need to make sense of a world that doesn't make sense at all. The most notorious rappers came out of the darkest ghettos of New York and LA. Yet, it evolved to be something so much more that. The fact that Australian hip hop exists despite that overall absence of such harsh and dangerous living conditions, is testimony to the fact that you don't have to have had a really hard life to make good music. Everyone suffers in their own way, emotional pain can penetrate the psyche of someone even with the most seemingly carefree lifestyle. But someone who has actually seen hell comes back completely changed. Therefore I don't think we should write off Sky'High easily because it is known that her childhood consisted of being witness to some of the most unsavory neighbourhoods and activities that Sydney boasts. So even if she hasn't completely come into her musical groove yet, she's comfortable with herself and her point of view alone is so unique that everyone should take note.

Sky checking out my tat
As for the gig itself, it was a huge let down. The choice of venue (come on who goes to see hip hop all the way out in Bondi? Put her in Newtown for god's sake), the lack of promotion (I only saw it on Elefant Traks site), and the crowd (lack of, and lack of participation from those that were there) all contributed to a huge flop of a night. But it wasn't all bad. She has a stage presence like no other, she's definitely comfortable with who she is. She is unique and brings something completely different to the Australian hip hop scene. And I think because of this, and because of her record label backing she will come into her own and the country will start to see her as the star that she already believes that she is. If the event had been promoted better and the crowd was getting into it, I believe the show could have been a hit. But like I've said before, the crowd really makes the show. If the artist is up there giving their all and the crowd is giving nothing back, then the night will be a flop, just by default.

fuck the world
Bottom Line: She's an aggressive chick, with energy and edge, doing it on her own with her mate Emily Blake of course, an amazing singer, to back her up live. A new piece to this hip hop puzzle that we haven't seen yet. I think she will go far. Then we'll be saying, “yeah I was at this gig in Bondi ages ago, and there was no one there, it was crazy...”








"Look At Me Now" off the Your Highness EP



Latest Video: "Wake Up" featuring New Zealand rapper David Dallas


Links
Sky'High on facebook
Sky'High merchandise- elefant traks
"Your Highness" EP FREE DOWNLOAD

Buy Sky'High's first full length album Forever Sky'High through Elefant Traks now.

Tweet Me: @iamskyhigh



Want to know more about Skhai's life and background?
Watch this mini documentary series....
Part 1 / Part 2 / Part 3


Good night kiddies! Thanks for tuning in!
Catch you on the flip side, 
<3 <3 <3 Jen <3 <3 <3 









no rest for the wicked!


Thursday, July 12, 2012

She Lives Her Life in the Graveyard


written on: 2nd April 2006


       Walking the street one day I came upon a graveyard, and as I was passing by, I heard it call my name.  It beckoned to me with its little blue flames.  But I couldn't stay.  Because when I entered through the gate I laid under a tree in the shade, and it was reminiscent of the grave in which I laid too many times.  That darkest winter, alone and blind- still living through that borrowed time of days and nights just marching by.  And when spring finally did come, was it years or months until it stopped and I was born again?  And as I contemplated, the wind picked up and shook the trees and sprinkled me with autumn leaves.  So I knew it was about that time again.  Why do I remember it? And why do I linger so long now?
       So I got up to leave, I got out of that sleep that was pulling at me.  That old sense of familiarity.  That haunting, calming, alluring dream.  I tried to leave but the full moon above the trees was beaming down on me, rainbows cascading over me.  Hypnotized, it stopped me dead.  And as I stared into its encompassing beauty, the wind passed over me, surrounding me, it was holding me.  And as shadows passed by they whispered to me.  They said, don’t leave, there is someone we’ve been waiting for you to meet.
       Picking my way through the graves, the whispers drove me to this certain place.  A grove of pine trees with an opening where the moon was beaming down with it’s full intensity.  And as soon as my eyes spotted it, my mind was tripping over memories, and I slipped into a different dream.  The stars were moving rapidly until their images where no longer one clear spot, but a solid stream, white lines painted on a canvas of black ink.  I fell, but was that in the dream or in reality? 
       I awoke to a familiar smell- a match.  And then I saw the smoke of a cigarette- curling, dancing- then disappearing into the blackness.  Slowly you brought it to your lips and that single puff was like a kiss.  From where do I remember this?  Then I realized I was on my knees, as in prayer, still in the clearing and you were there, looking at me indifferently.  Lingering purposefully in the shadows so I could barely see your face.  But I knew instantly that I was safe.  I recognized you from those images in my head as I lay in the grave.  But as I walked toward you, you turned away as if maybe you’d forgotten what had already taken place.  In frustration I screamed to the trees, I demanded the moon tell me what was happening. 
       But I wasn’t the only one waiting to see.  Soon others were there, surrounding me.  Everyone was questioning, but their identities were unclear to me.  Soon I felt as though we all were in a sea.  Riding waves of uncertainty, drifting endlessly, just waiting to be saved.  The faces bobbed in and out of my vision, but no one seemed to realize the division between what was a dream and what was really happening. And no one seemed to notice me.  They were all lost in a hell of their own questioning.  For what were we waiting?
       I slipped under the water and found that I could breath easily, but all around the the others seemed to be drowning.  I saw you again as you swam beneath me.  You turned and smiled at me.  And then once again I was standing- with you next to me.  The world held its breath with the waiting.  The leaves weren't rustling.  No one was whispering.  Was it majestic or haunting? 
       I might have seen it first about the earth as if it were a distant star.  A point of light so far away.  It came upon me suddenly- the biggest flash, the brightest light I had ever seen.  And when it covered me I thought finally.  But it was instantly.  It seeped into me, filling me, engraining itself fully into every particle of my being.  I left my body and I was free.  I was released.  And when I went into it I knew everything.  It wasn't like the sea because there was no more questioning. There was no uncertainty.  The light became seamlessly part of me.  I was that thing.  I was everything.  The world was before me to see, and I was absolutely stunned by its beauty.  This connection that runs through everything.  I still felt you next to me.  Surrounding me, inside of me, all around me.  This is our journey.  You're an integral part of me.  And we're just floating through that stream, where history has no meaning because it's still happening.  
       I knew this couldn't last because I have a soul not yet complete, but these lessons are becoming easier.  I see everything with a soul much clearer.  So maybe I'm nearing a day when I can spend eternity inside this Perfect Unity where all information is available to me.  And I can access anything and live through it as if it were part of a dream.  And flow forever through this never ending stream with stopping points along the way.
       Then I awoke as if that were my dream.  But I remembered everything.  I knew it was reality.  I understood what was shown to me.  And then I turned over in bed to look at you.  Because I believe now is the beginning of our life where you can remember it too.





Peace and Love my lovelies! Stay tuned for more reviews next week!
<3 <3 <3 Jen <3 <3 <3

Thursday, July 5, 2012

Best Intentions

Review
360 & Spit Syndicate
Metro Theatre, Sydney
29th June 2012

I have to admit it, I don't love 360. So how appropriate that my blog expressing my love of hip hop should reach exactly 360 page views today, when I sit down to write about him. It's not that I have anything against him. I've always thought his music, falls more into the pop category than hip hop. As he explained today on his twitter, “...I don't even label my music hip hop, cause it ain't. I make (in my opinion) GOOD pop music, and I rap on [it]... I give a fuck about genre.” This could explain the very different vibe we felt entering the gig this weekend. One of the first things that I noticed was the lack of hip hop clothing on display. Usually at a gig all the merch comes out and people display their love for all hip hop artists, not just the group that is playing. Generally there is heaps of Funkoars, Bliss n Eso, Hilltop Hoods, and Drapht tshirts and jumpers floating around the crowd. However, I don't think I saw much besides Shoosh Cunt shirts, and 360 hats. Fair enough if he just has very loyal fans, but it's more like they only listen to him.  

me and Cathy, that's how we roll...
From the start, it felt like a hip hop gig with something essential missing from it. It even had more of a punk rock sort of vibe. It was missing the soul, the nitty gritty, the collective feeling of the whole history of the genre backing us up. It's like these fans have missed out on the basics and are just jumping in on the bandwagon. Again, I'm not against it. I think it's great to get new people involved. I'm not the kind of person that only likes a band because no one else knows about them. I'm more of a pusher, if I like something I will try and get as many people to listen to it as possible. Not only do I want the artists to get exposure so they can share their art with as many people as possible, but I want the average person to understand what good music is. Rather than just singing along to whatever overplayed, overproduced, bullshit is played 1000 times a day on every radio station.

Once you start getting into it, the world of hip hop is like an enormous puzzle, only you don't see the size or scope of it at the onset. You start by picking up one or two pieces and as you fit each piece into the next, you being to see a bigger and bigger picture with more and more pieces to fit into place. Suddenly you realise the view is so wide you may never find the time to examine each piece individually, that and more and more pieces are being added all the time, so it's hard to keep up. Not only does this culture involve groups, crews, individual artists, djs, producers, beat makers, singers, dancers, graffiti, and street art, but almost every other genre of music is also sampled within the beats themselves. It's a culture, that although is young compared with other genres of music has extensive depth, and history, and with a long way to go from here, because there are infinite directions to branch out into. Hip hop isn't just one thing; that's why there's room for all types of people to express and enjoy themselves through this music. And as many as want to jump on the bandwagon, I saw hop on up. Just respect the culture, the history of the culture, and the blood and sweat and soul that so many have put into it so that you can enjoy it as it is today.

(Ok bottomline: yeah the atmosphere felt a bit different, but there's room for all types of people in this world.) Enough of that rant and onto the show....

I really tried to get into 360's show. And I did for a while. Although I don't know many of his songs, I believe he opened with Child. I really dig the song “Just Got Started” with Pez which he played that night sans Pez. (And it's the ring tone on my phone, guilty.) The video clip to that song is very funny, if you haven't seen it, check it out. This sort of epitomises the type of songs that 360 is famous for. Catchy tunes, with a singable chorus that make you laugh. Again nothing wrong with that, it's just that the lyrics are missing a lot of the depth and intricacy that a lot of other artists have.

360 doing his thing
As we worked our way into the crowd, I started to enjoy myself a bit more. As we were way to the side of the venue I could see the whole crowd and I was mesmorised as I watched everyone swaying to the beat. One thing is for sure, the crowd was really into it. There was one song that I really enjoyed, although I can't remember which one it was at the moment. Just as I was about to let it all go, and really get into the performance, everything quickly fell to pieces. A fight started somewhere in front of us and two guys kept coming further and further towards the back of the room. I almost thought we weren't going to get out of the way fast enough, they were coming at us so fast. I have spoken about fights at gigs before and I don't understand it. It's like people get all hyped up and then suddenly decide to use that energy to punch someone instead of directing it into something positive like dancing, or jumping, or waving your hands in the air like you just don't care. Usually a fight only lasts a few seconds before someone jumps in and pulls the aggressor away, be it a bouncer or a few mates, or guys that happen to witness. This fight just kept going. One guy was on the floor and the other guy just kept going for him. We had to fight our way out of the crowd and into the back to get out of the way. Then just as the two boys hit the back of the crowd the aggressor gave the guy on the ground a kick to the face and blood sprayed everywhere. I was feeling sick to my stomach, and extremely annoyed that they weren't stopped before it got to that point. The bouncers were still no where to be seen although a couple minutes later they were dragging a totally different guy out of the room. The fight pretty much ruined the rest of the show for me. I couldn't get over the fact that not only someone would use this venue, and this time, when we are supposed to be getting together to share our mutual enjoyment of music and the artist on the stage, to let out all their anger and frustration at someone, but also that no one stepped in to help the guy that was on the ground getting hurt. I couldn't stop thinking about it for the rest of the night.

me looking naturally evil
I'm trying to think of some good things to write about the show so you don't think I'm hating on 360. Another pet peeve of mine is all the crap that people give him on facebook. If you look at the comments on any status that he writes, there are hundreds or thousands of comments and it's a good fifty fifty split of which ones will be positive and which ones will be negative. This doesn't happen with any other artist as far as I know. If you don't like an artist, then why would you “like” them on facebook just so you can throw insults at them? I guess these people really have nothing better to do with their time.

To be fair, did have a really good light show, and the energy was there, despite the fact that he didn't seem to be providing much of it himself. In fact, although most hip hop artists normally bounce all over the stage dancing, and bobbing, and waving their arms to get people involved. 360 tends to stay in one place with one arm raised over his head for the majority of the time. I also see a lot of photos where he likes to do a Jesus pose with both arms outstretched. In fact most of the energy seems to come from the crowd itself rather than a dialogue between the crowd and the artist.

The song that it seemed everyone was waiting for came on “Boys Like You.” Gossling came out and performed with him. I have to admit, if the fight hadn't happened I probably would have had a much better opinion of the show. It was quite a performance, with the lighting effects instilling an almost dream-like quality to the night that lay blanketed over the crowd and the stage. Unfortunately I didn't quite feel like I was under that blanket. And then came the final blow. The set seemed very short. 360 only played for maybe an hour. It just didn't feel like he really made the effort for a show that he was headlining, but maybe that was just me being distracted.



Listen with your heart baby, close both eyes, can you see me now?”

The SS boys
Spit Syndicate, who came out just before 360, in my opinion, stole the show. Also in my opinion, one of the most underrated hip hop acts in Australia. They hail from Sydney's inner west and they are real people, no acting here. They keep it low key. They are down to earth guys that really are doing this music thing for themselves and their friends, and their fans, because they honestly enjoy it rather than for the money or the fame. No one said they don't enjoy themselves immensely along the ride though.

Again, we didn't make it in in time to see Bam Bam, the first opening act. Or maybe we did but we were too interested in the bar. So Spit Sydnicate started off the evening right for us. They kicked things off, as they did last time I saw them with “See Me Now” off their Best Intentions Part 1 mixtape. A chillingly beautiful song that uses the beat from the XX song “Intro.” In this song Nick and Jimmy set up their rapport with the audience that lasts throughout the show. They welcome us and they introduce themselves. The lyrics invite us to close our eyes and get lost in the music.

I don't know what's going on here but I kind of like it.
From there we bounce into a more upbeat Crooks and Crime scenes, trying to get the crowd hyped. They kept looking to their friends at the side of the stage for support which was cute as the crowd obviously didn't know them and wasn't sure what to do at first. But it only took a couple of songs before they started getting comfortable and the crowd started getting really comfortable. Their show is very interactive, talking to the crowd, playing with the crowd, and getting the crowd to yell back to them. Of course they played “Starry Eyed” and “Pretty Girls Make Graves” two of their signature songs. Although they don't have the romantic songs, like the other group in the crew, Horrorshow, these songs do show a softer side of hip hop. I think they also sneakily played a song from their new mix tape without actually drawing attention to it. But I believe it was during the song “Stumbling,” which features the amazing sing song styles of the man, the myth, the giant himself, Joyride, that the crowd really started to go insane.

Opening for 360 was really good exposure both for the Spit Sydnicate boys to get more fans and for the 360 fans to get exposure to a different type of aussie hip hop that they might like. For sure they gained quite a few new fans that night, definitely including the guy that was standing behind us. I think our dancing may have had an influence on him too, but I'm sure it was mostly the music.

Nick Lupi - Also Known As: the guy in the red plaid shirt
As you know if you're a Spit Syndicate fan, that they have been in the lab cooking up their new album and it's almost ready to share with us. This was the night they decided to throw a couple never before seen songs in our direction. When I heard both of them, I was instantly hooked. The first one is possibly called Also Known As. Very catchy, it's certainly going to be a hit. If you need proof that these boys have taken it up to the next level then check the video. You can tell the crowd was in love with it too, from the random shouting and screaming with glee that continues through the whole song, even in a crowd that for the most part didn't know them at the start of the show. The other new song has no working title as of yet but it will be their new single. It has a very catchy chorus that tells us, “there's beauty in the bricks of the city that I'm from...” I really can't get that line out of my head. All I remember from the show is that I was singing right along even though it was the first time that I heard it, it was so familiar already. By this time in the show, I'm pretty sure that everyone in the crowd was hooked on what SS was showing us.

With a new single dropping next month, a new mix tape not long after that, and a new album by the end of the year, with a tour possibly linked to it, we certainly have a lot to look forward to from these boys. So stay tuned.

Spit Syndicate performing "Also Known As":


Links
SpitSyndicate – download their free Mix Tape Best Intentions Part 1. Part 2 dropping soon.
Elemont - up and coming artist to check out. Mix tape coming out in early September!

Tweet me


 Peace out my people. 
Take care of yourselves and each other, 
Jen
<3 xoxox